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Drei Produktpräsentationen, die die Computer-Industrie revolutionierten, spielen Schlüsselrollen im Leben und der Karriere des Apple-Mitbegründers Steve Jobs: die Lancierung des legendären Macintosh , des NeXT und des iMac , mit dem. Steve Jobs ist eine Filmbiografie über das Leben von Steve Jobs unter der Regie von Danny Boyle. Das Drehbuch verfasste Aaron Sorkin auf Basis der. Jobs (Film) – Wikipedia. Ist “Steve Jobs” den Weg ins Kino wert? Oder machst du besser dein eigenes Popcorn und schaust dir Ashton Kutcher in "Jobs – Die. Die Verfilmung Steve Jobs von Danny Boyle orientiert sich an der erfolgreichen offiziellen gleichnamigen Biografie von Walter Isaacson. In den Film erzählt. Die Rolle des visionären Apple-Gründers Steve Jobs übernimmt Michael In den Film erzählt Boyle die Geschichte von Steve Jobs anhand von drei. Steve Jobs ein Film von Danny Boyle mit Michael Fassbender, Kate Winslet. Inhaltsangabe: Biopic über Apple-Mitbegründer Steve Jobs (Michael Fassbender).
Die Rolle des visionären Apple-Gründers Steve Jobs übernimmt Michael In den Film erzählt Boyle die Geschichte von Steve Jobs anhand von drei. Einen erneuten Versuch stellt nun der Film Steve Jobs dar, in dem sich Regisseur Danny Boyle und Drehbuchautor Aaron Sorkin — basierend. steve jobs film Gzsz Ganze Folgen Jobs is scuppered by its repetitive nature, Der Eismann Sorkin's overly verbose dialogue and Boyle's proclivity for on-the-nose visual statements sorely testing the patience, even if one Antonia Lang prepared for them. Jobs confronts him about his public criticism of him, and Wozniak questions Jobs' contributions to computing history. Archived from the original on March 5, Real Quick. Spara artikel. By signing up, you agree to receiving newsletters from Rotten Tomatoes. Hauptseite Themenportale Zufälliger Artikel. In Deutschland hatte der Film am Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Eines Tages hat er sogar seinem Fahrer gesag Ananas Express Vergiss mein nicht! Hauptseite Themenportale Zufälliger Artikel. Michael Fassbender. Statt sklavisch den gesamten Lebensweg des Apple-Masterminds nachzuzeichnen, beschränkt sich der Dumbo Kinostart auf drei markanten Stationen, drei Episoden, die jeweils kurz vor einer wichtigen Präsentation stattfinden.
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Steve Jobs Film - Aktuell im Streaming:Fish Tank. Von Danny Boyle. Jeff Daniels. Trailer Bilder. Os Famosos e os Duendes da Morte. Deutscher Titel. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Vereinigte Staaten. Doch Steve Jobs ist eine Walking Dead Staffel 8 Fox im Theaterkorsett, das mit der Laufzeit an Elastizität verliert: Es gibt zu viele Wiederholungen, 22:15 viele Theatertricks, zu viele Dialoge, die besonders clever sein wollen. Aaron Sorkin. Das Spiel der Macht.
Steve Jobs Film Navigation menu VideoSteve Jobs 2015 Movie Last Scene jOBS – Die Erfolgsstory von Steve Jobs. 2 Std. 7 richmond-escorts-girls.eu nach wahren Begebenheiten. Das Technologie-Genie Steve Jobs steigt vom. Einen erneuten Versuch stellt nun der Film Steve Jobs dar, in dem sich Regisseur Danny Boyle und Drehbuchautor Aaron Sorkin — basierend. Nach dem Tod des Apple-Mitbegründers Steve Jobs widmet sich das Biopic aus der Feder von Aaron Sorkin dem späten Leben des berühmten Unternehmers. steve jobs film
Den floppar dock totalt. Apples aktievärde ökar med procent och iMac vinner flera priser för bästa design. Den säljer i mer än 4,4 miljoner exemplar innan Pixar säljs till Disney Spekulationer om hans hälsa börjar cirkulera.
Tim Cook tar över under tiden. Han kommer dock att medverka i företagets strategiska beslut. Han sitter dock kvar som styrelseordförande.
Allt om Iphone. Allt om Ipad. Allt om Apple TV. Alla rykten. Following the Sony Pictures Entertainment hack in December , Sony emails were leaked which revealed casting demands as cause of delay in the film's production.
Also revealed in the emails were the details that Tom Cruise , Matthew McConaughey and Charlize Theron were at one point met with to discuss potential roles in the film.
Natalie Portman entered into negotiations for a role in November ,  but withdrew from the film in December. Principal photography began on January 16, , at Jobs's childhood home in Los Altos, California ,  with additional scenes shot throughout the San Francisco Bay Area.
On January 29, , filming continued at Flint Center, De Anza college the location of the original unveiling of the Macintosh in Davies Symphony Hall , and the Civic Center.
To distinguish each of the three product launches depicted in the movie, Danny Boyle and cinematographer Alwin Küchler implemented three different film formats: 16mm for , 35mm for , and digital for They also wanted each of the film's three time periods to visually reflect Jobs' own development at the time.
The third act, shot with an Arri Alexa at the Davies Symphony Hall , incorporated an aesthetic and color palette that were intended to be representative of Jobs' own design philosophies of the iMac and subsequent Apple hardware.
Küchler describes his experience filming Steve Jobs as "brilliant and challenging at the same time", and that the goal was to "make sure that the visuals kept up with the words", in reference to the production's collaboration between Boyle and Sorkin.
Costume designer Suttirat Anne Larlarb says the real Jobs never wore his trademark turtleneck jumper at any of the launches: "The turtleneck was the off book decision.
In those 3 actual launches, in real life, he never wore that. We made it for him as a back up idea in case we needed to adhere to it. As we got closer to the time of filming, I thought we'd set up rules for , we'd set up rules for — there's so much of the film that's about design and he was about design.
London-based studio Union created the film's visual effects. During the one-week rehearsal that took place in between production for each of the three acts shot in chronological order , Graham worked on the existing footage and received ongoing feedback from Boyle in the editing room.
In an interview with Variety , Graham said a particular challenge for him was balancing the shot frequency and providing enough "visual interventions" to control for Sorkin's dialogue-heavy screenplay.
He described approaching each scene as "a series of fight sequences". Michael Fassbender provided multiple versions of his performance as Jobs, which Graham and Boyle then chose from during post-production.
He would say 'if I'm with you the whole time, we'll always have the same opinions because we're on the exact same journey.
Daniel Pemberton composed the music for the film. Much like the film's visual approach, the score is divided into three distinguishable sections, each corresponding to the intended feel of the act in which the section is heard.
The second act's score is more operatic in nature, matching the setting of the San Francisco Opera House. Finally, the third act featured a more introspective score produced entirely digitally to complement its backdrop of the iMac product launch, and Pemberton correspondingly used his own iMac to compose this section.
The Maccabees' "Grew Up At Midnight", the song that played during the film's concluding scene, was reportedly chosen by Danny Boyle himself, who is a fan of the band.
Other songs were considered for the final scene, even Pemberton's own score before the song was chosen. The physical releases contain a minute making-of documentary , Inside Jobs: The Making of Steve Jobs , chronicling the production of the film.
On November 10, , just over two weeks after its wide release, Universal pulled the film from 2, theaters in the United States. The website's critical consensus reads, "Like the tech giant co-founded by its subject, Steve Jobs gathers brilliant people to deliver a product whose elegance belies the intricate complexities at its core.
Todd McCarthy of The Hollywood Reporter said Boyle's "electric" direction "temperamentally complements Sorkin's highly theatrical three-act study" and praised Fassbender in the role, who "doesn't closely physically resemble the man, [yet] he fully delivers the essentials of how we have come to perceive the man.
Sorkin is not trying to do anything but write in his own style, thus this film and its exceptional dialogue leaves its mark as profoundly as Jobs himself left his.
Benjamin Lee of The Guardian gave the film three out of five stars, writing that "despite the film constantly informing you of just how incredibly important everything all is, it's disappointingly difficult to truly care about what's taking place.
Danny Boyle , the film's director, speaking on the creative liberties he took with portraying Steve Jobs said, "[it] was what Shakespeare used to do.
He would take some of the facts about a man of power and he would guess at a lot of the rest and just gotten away at actually getting at the human in it.
And that's what's wonderful about the writing I think, is that it acknowledges the people who disliked Steve Jobs, the people he hurt.
But in the end, he brings it back to a very simple father-daughter relationship that he has to admit that he has made some of the most beautiful things in the world.
John Sculley praised Jeff Daniels ' portrayal of him, but claims the film misrepresented Apple 's success with the Mac , and argues that Jobs was "much nicer" than depicted.
That wasn't his character, and the events didn't happen. You think of Jobs having a reality distortion field.
I think of Aaron Sorkin as having Atkinson said that "the only thing he got right in that movie" was the "spot on" depiction of Hoffman, including her accent and how she "tried to rein in Steve from Steve Wozniak who consulted with Sorkin before he had written the screenplay commented on a trailer released on July 1, , that he does not "talk that way I would never accuse the graphical interface of being stolen.
I never made comments to the effect that I had credit genius taken from me The lines I heard spoken were not things I would say but carried the right message, at least partly I felt a lot of the real Jobs in the trailer, although a bit exaggerated.
Wozniak specifically mentioned that he never requested Jobs to acknowledge the Apple II team onstage, as was shown in the movie.
However, he added that Jobs did purportedly show a lack of respect towards the group. When asked about the accuracy of the film's portrayal of Jobs, Wozniak replied: "In real life, to real people, that's the way he could be, very sharp, although never quite as much as in the movie.
Edwin Catmull , president of Pixar Animation Studios and Walt Disney Animation Studios , felt that Jobs would "be appalled" at his depiction in the film, arguing that he was a kinder person later in life than is portrayed in the picture.
In an interview with The Hollywood Reporter , Catmull commented, "When [Jobs] left Apple, he then entered into what really is the classic hero's journey : He's wandering in the wilderness, he's working with NeXT, it's not working.
He's working with Pixar, we're failing. In that process, Steve learned some major lessons, and he changed. He became an empathetic person, [ It's an incredible character study of a really complex man.
Aaron [Sorkin] and Danny Boyle did a fabulous job with it. Mossberg has stated that while both films are aesthetically well-developed, Welles created a fictional set of characters in order to clarify that his film was a work of fiction.
In contrast, according to Mossberg who knew Jobs for 14 years , Sorkin's decision to use real instead of fictional names detracts from the quality of a film which appears to be a biopic and yet is a work of fiction.
Mossberg states that "the Steve Jobs portrayed in Sorkin's film isn't the man I knew. Sorkin chose to cherry-pick and exaggerate some of the worst aspects of Jobs' character, and to focus on a period of his career when he was young and immature [ Sorkin opts to end his story just as Jobs is poised to both reel off an unprecedented string of world-changing products and to mature into a much broader, kinder manager and person.
Steve Jobs has received dozens of industry and critics awards. It won two, for both Winslet and Sorkin. From Wikipedia, the free encyclopedia.
Theatrical release poster. Release date. Running time. Main article: List of accolades received by Steve Jobs film.
Film portal United States portal United Kingdom portal. Archived from the original on March 3, Retrieved December 29, British Board of Film Classification.
October 8, Archived from the original on March 5, Retrieved August 18, Box Office Mojo. Archived from the original on September 4, Retrieved February 23, Letztere würde laut Gregory Ellwood von Hitfix.
Bei Rotten Tomatoes erhielt der Film Stand 8. Statt sklavisch den gesamten Lebensweg des Apple-Masterminds nachzuzeichnen, beschränkt sich der Film auf drei markanten Stationen, drei Episoden, die jeweils kurz vor einer wichtigen Präsentation stattfinden.
Filme von Danny Boyle. Namensräume Artikel Diskussion. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte.
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